Karthik Calling Karthik is a film that feels personal. It’s not loud or dramatic, but it leaves a mark. The story follows Karthik, a quiet man used to being ignored, until one day he starts receiving calls from someone claiming to be… himself. What starts as a mystery slowly becomes something deeper — a story about mental illness, self-belief, and the power of change.

The film touches on mental health in a way that’s subtle, not preachy. It doesn’t go for shock or sympathy — it just shows the everyday struggles of someone trying to make sense of his life and mind. For its time, it was bold, thoughtful, and ahead of the curve.

Farhan Akhtar is sincere and convincing as Karthik — you really feel his confusion, fear, and quiet hope. Deepika Padukone adds calmness and presence to the story, never taking too much space but still standing out.

The plot keeps you curious without trying to be too clever. And while the ending may not be hard-hitting, it’s satisfying. It wraps up the story with calm clarity rather than dramatic twists — and that works in its favour. You’re left thinking, not shocked — and sometimes, that’s more powerful.

Final Verdict:
A well-made, quietly powerful film. Karthik Calling Karthik explores mental illness with care, wrapped in an engaging thriller. It’s not heavy, but it stays with you — and that makes it one of Indian cinema’s most thoughtful thrillers.
Rating: ★★★★☆